This essay was written on the occasion of the centenary of the birth of Emanuele Luzzati
(Genoa 1921-2007), with the aim of providing an overview of his ceramic work. Better
known for his activity as a theatrical set designer and illustrator, the artist, between the
fifties and the early seventies of the twentieth century, created a large production, in collaboration
with Bartolomeo Tortarolo, known as “Bianco”, in his furnace of Pozzo Garitta,
in Albissola Marina.
