In recent years, renewed attention has been paid to the promotion of decorative arts, materials
and craft techniques. Glass in its duality as a traditional and contemporary material
has enjoyed considerable success, thanks also to cultural events that have brought it back
to the centre of collective interest. In recent years, Milan, a historic exhibition centre with
the Triennials and a productive centre for the sector (especially glass, but not only), has regained
an active and central role in promoting glass from a design perspective, thanks to a
strong revival of cultural activities. The contribution traces the history of the link between
the Castello Sforzesco Museums and glass, highlighting the importance of the historical
collections and the new and recent acquisitions.
